Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black

COUNTRY CLUB XXX

Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011
Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black

BRILLO

Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011
Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black

OLDE ENGLISH

Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011
Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black

BUDWEISER

Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011
Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black

HIGH LIFE

Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011
Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black
COLT 45
Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011
Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black

PBR

Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011
Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black

DOMINO'S

Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011
Charles Lutz - sculpture - contemporary art - modern art - pop art - Brillo box - black

HOT-N-READY

Silkscreen on powder-coated stainless steel.
18 x 12 x 9 in. (45.7 x 30.4 x 22.8 cm.)
2011

Lutz’s Black Box sculptures, referencing discarded malt liquor, beer and pizza boxes found near his studio, engage with themes of transience and materiality. The works also reference Warhol's box sculptures. Featuring both reflective and dead-matte black surfaces, the works alter in appearance as the viewer shifts their position, highlighting the impermanence of perception and the instability of visual experience. These sculptures represent Lutz’s initial investigation into the absence of space, where the fluctuating surfaces challenge conventional notions of presence. Through this approach, Lutz interrogates the relationship between form, space, and viewer interaction, emphasizing the ephemeral nature of both physical and perceptual reality.

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